Where's Peen been?
Soho Theatre, London
Was Peen keen?
****
There is a very valid and poignant message to be taken from A Clockwork Orange, and it’s one that is new to few people. After
all; this has been a novel, a film, and a play for quite some time and frankly
if you don’t know the story, you should. In the wake of the 2011 London riots
(granted, a year ago, but they’re pretty difficult to forget), we see a gang of
‘ultra violent’ teenagers up to what they do best, and Alexandra
Spencer-Jones’s production does not think twice about hammering home the stuff
that we need to know in a spectacular fashion.
Photo: Simon Kane |
Alex (Martin McCreadie) is given an ultimatum: spend a
lifetime in prison for his bad behaviour, or be brainwashed to ensure he is
well behaved from now on. He is subjected to conditioning which, at the same
time as succeeding in making him a good lad, makes him completely phobic of
Beethoven's music which he loves. Spencer-Jones has made this an all-male,
homoerotic version of the play which is crammed full of superbly choreographed
fight routines on top of her replacement of the original score for the play
with updated, modern music which includes the likes of Frankie Goes To
Hollywood’s Relax, and Beethoven
aplenty.
Photo: Simon Kane |
It’s no “something-or-other-what’s-it” production, it knows exactly what it is and what it wants to say; the groundwork is firm and
most noticeable. It tells a story with an all-encompassing cast in a very
all-encompassing way. Whereas within the original story there is some violence
and aggression towards women, this production lacks the ability to tell that
side of the story and at times we do question how destructive the gang is; but
they more than make up for this in other ways and this is a real horror show.
This production runs until 5 January 2013.
For more information: http://sohotheatre.com/whats-on/a-clockwork-orange/
@SohoTheatre @ActionToTheWord
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