Etcetera Theatre, London
***
Pilgrims is a new play written by
Sarah Page, a graduate of the Royal Court’s Young Writers Programme and a
current member of their Studio Writers Group. Sadly, this play suffers from
feeling somewhat overwrought and underdeveloped.
The
play is set in the living room of a family home somewhere in the Midlands, on
the day Pope Benedict is due to deliver an address in Hyde Park. It opens with
Ruth, the fraught single mother of two, desperately trying to get her children
and elderly father in the car. When teenage daughter Beth eventually emerges
from her bedroom, up late and still not dressed, she sparks a stream of
arguments and revelations that could entirely change the family dynamic.
There
are some very touching moments in this piece. A particular stand out
performance comes from Henry Gilbert as mummy’s boy Will, who is both
captivating and endearing from his first entrance. He portrays his character’s
OCD with sensitivity, and his devotion to his mother is charming to watch.
Dinarte Gouveia also impresses as Beth’s handsome secret boyfriend, Jay, who
speaks in a mix of teenage and hippy cliché to great comic effect, while
Stephanie Hyam brings tremendous energy to the stage as the difficult daughter
Beth.
Sarah
Page has created some truly recognisable moments and characters in this piece.
The dynamic between brother and sister is shrewdly written, and Gilbert and
Hyam tenderly play the shifts in the relationship. Liz Mance has some good
moments as Ruth, a mother at the end of her tether, but unfortunately for most
of the play she feels a little one-note and isn’t given time to connect with the
audience before her tiresome tirade of maternal anxiety flows onto the stage.
From the opening she is tense, stressed and shouting, and there is little let
up from this for at least the first two thirds of the play.
There
is a complete shift in tone however, and the play swings towards the farcical
when Ruth finally loses it. Mance has tremendous stamina, but sadly this shift
feels contrived. Although psychologically justifiable, unfortunately it is
sprung on the audience and on the characters without sufficient support from
the play that has preceded it. Grandfather Harold, played by Nick Simons, has
also not been given much room to find depth, as there is limited development in
his character, despite the massive surprise he brings.
This
is a low-rent production, where no set or lighting designer has been credited
in the programme. Director Kevin Williams deserves due credit for making this
piece so enjoyable, though unfortunately one leaves the theatre feeling
somewhat battered. That can be an appropriate feeling in some cases, but in
this it overshadows the oftentimes insightful comments Page’s writing makes
about religion in modern Britain.
Despite
being somewhat clunky, Page’s writing shows great potential. Pilgrims perhaps overstretches itself in
what it tries to discuss in an hour, but the domestic drama at the centre of
the piece is perceptively crafted.
This production was part of the PNPA Festival which runs throughout January.
For more information: http://www.etceteratheatre.com/index.php?id=2
@EtceteraTheatre
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