Written by: Char (@charlypies)
So, BABEL round two…did Char’s Stars keep up the fight?
Talking to people about this show, I’ve repeated myself whilst
sticking to my original view of the preview: the volunteers and actors make the
show what it is. With the walkway leading into the park riddled with characters
such as a cheeky accordion player, a stood up date and vast numbers of mac-clad
beret-sporting “grinners”, one immediately recognises the bubbling themes of
the piece - the individual vs the collective.
This aura (hippie words are apt in describing this piece) seeps
into the open space of the park with tents of “communities” who welcome you
with open arms to drink tea, eat Gandhi cupcakes and have massages – and good
ones, I add. There’s a great feeling of ease in the space that I can only
compare to the experience of wandering into the acoustic tent at a festival
once you’ve had a heavy weekend of the “mosh”.
The entertainment stand was where I quickly found myself. The
off duty security poet Reese had me laughing and considering his profound views
with each tongue flick of a new word. His ‘little story’ was both beautifully
written and generously performed. The following act, an incredibly beautiful
Indian dancer, had me utterly transfixed and looking around at the rest of the
crowd, and the gaping mouths and still eyes assured me that I was not alone in
this feeling.
The disturbance of the warm-fuzzy vibes of a bohemian night in
the park was aided by the bark of the security guards. I must admit the sound
of their voices quickly took me back to school, feeling like supping tea near
the clock tower was somehow an act of a naughty child.
The conflict between the passive “sweetie-givers” and the strict
“megaphoners” is definitely at the route of the drama to BABEL and I
feel it should be stressed that many of the 300 strong cast are volunteers;
they don’t have to be that committed and give such a passionate
performance if they don’t feel like it. It must be a great compliment to the
BAC and Wildworks that they do!
There is however a downside to the staging of BABEL which
directly effects this commitment of the cast. The space is very big, and I fear
that this double strength concentrate of the volunteers is too diluted by the
lack of acoustics and May-time winds. The grandeur of the space is impressive,
and realizes very naturalistically the adapted story, but the actors do get
lost; as they are at the route of the drama I feel they cannot be compromised
but enhanced.
Char’s stars did pull a fair few good punches, wowing and
entertaining the huge crowd, but the tower’s steal of the limelight ultimately
won and its acting didn’t quite compete. It’s quality, not quantity clock boy!
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